The Beauty of “Your Name”

Your Name is a film about obsession which handles this topic in interesting and unexpected ways; it is about two peoples’ drive to, essentially, solve a mystery. To say more would necessitate discussing the film in much closer detail, and so should best be discussed below. Suffice to say, it is a film I highly recommend, and before reading this article would advise readers watch.

Note: This article discusses in close detail the plot of Your Name, and also discusses in more general terms details of the plot of Steins;Gate.

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Initial Thoughts on “Fantastic Children”

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Fantastic Children is a series that like so many anime uses its opening episodes to establish mysteries to draw the viewer in; it is arguably a hallmark of good fiction to be able to open with a story in media res or laid out in such a fashion that all the pieces of the puzzle are not immediately discernable. Many anime attempt this but too often either the resolution of the mystery is inadequate payoff for the time spent reaching it, or the mystery is spun out for too long prior to its resolution, meaning the impression is given that the characters are dragging their heels needlessly. Harder still to pull off is a series that plays dramatically with the audience’s empowered position as capable of seeing sides of the story the characters cannot.

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“Garden of Eden” Chapter Eleven: “The Borderline”

The Grey Cliff chapters of Garden of Eden were where things kicked off in all directions, where I tried to capture the excitement of meeting people, of finding new things, of everything that could happen.

For the characters it isn’t necessarily a new experience, but I wanted it to feel like even so, there were surprises.

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Too Much Too Young (Knight’s & Magic Episodes 2-4)

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It is relatively uncommon for a mecha anime to focus too strongly on the process of robot design and testing; test pilots are a common archetype (most iconically, perhaps, Isamu Dyson in Macross Plus), and the process of thrashing a new unit through its paces is usually a good framework for its sudden deployment in combat. This is why it is particularly interesting that 2017 saw two series ostensibly focused on robot designers, rather than professional robot pilots. I have written at some length about Atom the Beginning‘s interesting slow burn to a disarming revelation about society’s relationship with AI from the perspective of two students of engineering who build a sentient machine. It focused, in its own way, on the minutiae of being a research student. The difficulties in getting funding. The importance of always moving forward and iterating.

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A World Unready (Final Thoughts on Atom: The Beginning)

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The ending of Atom: The Beginning is left so that further adaptation of its ongoing source material can be made; this is not the complete conclusion of the story, and knowing this context now rather sets my initial observations about the series in context (that it was taking a very laid-back and almost uninterested approach to its worldbuilding and the ethical questions raised). It is an adaptation of a small part of a longer, ongoing work. Of course it will not provide all the answers. Before moving into the meat of this consideration of the series, it is worth considering something else. I was initially perturbed, or at least surprised, to see that the series was raising and ignoring questions about machine sentience and robot ethics. It felt like a failure of science-fiction to studiously avoid taking a stand while raising allegorical and philosophical questions.

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“It’s a UNIX System, I Know This.” (Robot’s & Isekai)

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There are no shortage of anime which put a mecha genre spin on the “modern-day character ends up in fantasy/alien world” (isekai) theme. From Aura Battler Dunbine through arguably series like Orguss into ones like Magic Knight Rayearth or The Visions of Escaflowne it has strong precedent, and it is a genre that brings a few additional interesting themes to the traditional science-fiction and fantasy ones. I am personally very interested in stories of culture shock, or outsiders to a society trying to fit in; it is for this reason I was quite disappointed in the TV adaptation of Crest of the Stars because it hinted at being a story of a human living as the ward of aliens and learning their culture, and then did not really deliver so much on that. One could almost consider, actually, a story like Crest of the Stars as the pure science-fiction equivalent to the isekai story – a human living among aliens.

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“Garden of Eden” Chapter Nine: “Sky Coloured Days”

This is where Garden of Eden steps up a gear. I wanted this to be a story about people learning to do something with their lives, getting that buzz of energy and enthusiasm I feel when I commit myself to a project. Having something to work towards.

From this point on, the characters have something to aim for.

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