Tagged: Anime

Tabletop Game Review: Laser Beams Like So Many Stars

This article was originally written for Who Dares Rolls (www.whodaresrolls.com) and is reproduced here with permission.

Laser Beams… is by Taylor Smith (@whimsymachine)

In the game’s own words, its premise is as follows:

“You are a huge fan of mechs and their amazing pilots. You love to watch their heroics on the news, you visit when pilots come to your town, you own multiple letterman jackets emblazoned with mech pilots’ insignias. You’re burdened with the dream of piloting, eclipsed by the fear that you will never be more than a spectator. You love that which is unfathomably above you. Let’s talk about that.”

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“The Battle Warehouse is Even More On Fire Than In Winspector” – It’s FIRE FORCE

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Quote, of course, from the inimitable @dril

It is sadly possible that before long I will be intensely frustrated with Fire Force, because the things I liked about its first episode are things that will probably end up less prominent, and there is a whole fascinating world of things I will not like lurking in the wings unless it lives up to some interesting foreshadowing and pulls off some good revelations. But nevertheless the first episode has spectacular energy to it, combining great aesthetics of combat, a visually impressive setting and a concept that is simple, elegant and effective for setting up an ensemble-cast superhero series. It is not far removed from a Super Sentai series (or perhaps even more like Rescue Fire or one of the Metal Hero series like Winspector) – a team of heroes themed around the emergency services fight monsters related to their specialisation. In this case, in the distant future(?), people often explode into flaming skeletons and it falls to the FIRE SOLDIERS to kick the skeletons to death and shoot them with guns.

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Tabletop Game Review – Death Sentence

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This article was originally written for Who Dares Rolls (www.whodaresrolls.com) and is reproduced here with permission.

Note: This article also includes some references to personal experiences of death and loss, and discusses those themes in detail.

It took a lot longer than I initially assumed it would for me to find the right words to review Jeff Ellis’ (@manyeyedmonster’s) Death Sentence; I thought it would be a straightforward review, as I had very easily discussed the thematically similar 36 Minutes as an exploration of unglamorous death in military science-fiction. I think I needed time to unpack my thoughts, and perhaps the immediacy of my response to 36 Minutes was part of why I couldn’t launch straight into forming opinions on Death Sentence. Any game that goes into death beyond killing as a natural mechanic of conflict resolution is going to be personal, and potentially troubling, for the player. You could very well say that even in a game where the expectation is one will fight death should be personal and troubling.

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“Vengeance.” How Gun X Sword Does, And Does Not, Endorse It.

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As I continue to watch Gun X Sword I’m struck by several things. Firstly it does not get significantly less uneven in quality. Secondly, the El Dora V episode feels even by the halfway point like a weird anomaly of sincerity – although other episodes, in their own ways, hit equally weird and interesting concepts. Thirdly it is a series that has an unbelievably strong villain even before he actually does anything.

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“Adios Amigo” – Why You Might Want To Stick Around for Episode 3 of Gun X Sword

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I started rewatching Gun X Sword just after beginning to play Super Robot Wars T and was seriously wondering after two episodes if it was actually as good as I remembered. I would fully understand someone, after two episodes of the series, being just about done with it because the opening absolutely does not touch the show’s real strengths. You have two episodes of character humour that might be grating without the opportunity to get to know the characters, and of incidental combat against largely irritating villains. There are flashes of interest, for sure – the moments where the mask of slacker comedy breaks and Van shows his crazed side suggest there is something more going on here, made all the clearer by the fact the setting is called The Endless Illusion. But ultimately it is a kind of badness driven by simply being ordinary when you have probably, if you have been convinced to watch Gun X Sword, entered expecting something extraordinary.

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“I CAST FIST” – It’s Rune Soldier Louie (And Some Other Fantasy Anime)

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There are quite a few comedy fantasy anime in the vein of The Slayers and, unfortunately, most of them are varying degrees of quite sexist. Even The Slayers has some episodes that really don’t hold up as very good, although it also has some extremely funny episodes and some action scenes that work quite well. There are certain tropes that come through in a number of the series in this vein that, depending on execution, feel a little awkward; lots of cross-dressing, lots of jokes where the punchline is pretty much “man tries to spy on woman and gets punched” and so on. The execution varies for better or worse, but nevertheless it seems this sort of adolescent humour is a recurring theme and it’s wholly understandable that that might not appeal to people so much. Konosuba goes perhaps even further by having a masochist-fetish defender and various other more direct sex jokes.

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“No, I Must Kill the Demons” – It’s Dororo (2019)

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It is fair to say I am watching Dororo (2019) with absolutely no knowledge of the original 1969 TV anime or 1967 Osamu Tezuka manga. As a result I cannot comment on how good an adaptation it is, in any useful sense; my understanding from secondary reading is it is making some plot changes, but beyond that I do not know anything. So, that reservation in mind, would I recommend Dororo (2019)? Yes. It’s a series which has in its first three episodes generally presented a praiseworthy attention to detail, some good action and a straightforward plot which hits some generally tough moral beats with the uncompromising didacticism that I grew to like about series like Harlock SSX.

Note: This article discusses the plot details of episodes 1-3 of Dororo (2019) including the way it handles the narrative depiction of suicide in episode 3.

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“The Infinite Sea of Space, a Place Where True Men Dwell Once More” – It’s Captain Harlock

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It has been a long time since I watched any Captain Harlock media, but the recent announcement of Super Robot Wars T, featuring Harlock SSX: My Youth in Arcadia, drove me to give the series another go. I love its aesthetic, and it is iconic enough to be notably parodied in various things (perhaps most broadly by the latter half of Goldran featuring Walter disguised as a bad parody of Harlock piloting a giant robot shark), but I did not recall particularly gelling with the original series, dated as it is, when I first watched it.

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The Internet Told Me To Kill A Girl Over A Sandwich – It’s SSSS Gridman

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For the moment, SSSS Gridman is coasting high on raw adrenaline and exhilaration; it offers, every week, exciting and good-looking giant monster fights with a scope for destruction and spectacle its roots in live-action superhero shows cannot match. Freed from constraints of what can be done with modelwork, stunts and costuming on a TV budget, there is a full-on sense of scale. In episode 3, the characters comment that twice now the city has been destroyed and twice it has been rebuilt overnight. This is plot-relevant, but it is also a nudge at the transiency of collateral damage in disaster-focused action series that I quite appreciate.

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In the lands of the North, where the black rocks stand guard against the cold sea… It’s “Horus – Prince of the Sun”

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Horus Prince of the Sun (or The Little Norse Prince) is something of an event film in anime history, a spectacular looking production that features a veritable plethora of famous names turning up in its credits. For a film from 1968 it looks incredible, with fluid animation and virtuoso scenes such as the final battle – with a chase on animals of cloud, a troll fighting a giant ice mammoth and an army of Norsemen on boats. For anyone interested in animation history, or indeed the heights the medium has reached in its past, it cannot be recommended enough.

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