I often find myself returning to the themes of the gothic novel; I find their ideas of power abused and stifling social traditions forcing tragedy upon the innocent fascinating. I think those themes offer a far more interesting avenue for dark fantasy than miserablism and sociopathy; arguing from the position that everyone is compromised and base is less interesting than taking the stance that evil can come from within, from the inability to understand the desires and freedoms of others.
Thus I wrote this, a gradual destruction of a past friendship that itself was not what it seemed.
At the end of the day, Garden of Eden is a novel about chance encounters and the new friends waiting to be made in groups you thought familiar. It’s about the excitement of being somewhere, being part of something.
It’s been a while since I did any new creative writing and this is my first attempt in a while; something vague and dreamlike, written more to evoke a mood than much else. I feel it could go into some more concrete direction, but that would be another story for another time.
The experience of live music is dreamlike, intense and memorable. This is a chapter that tries to communicate that, while also offering a little calmer activity beforehand.
The Grey Cliff chapters of Garden of Eden were where things kicked off in all directions, where I tried to capture the excitement of meeting people, of finding new things, of everything that could happen.
For the characters it isn’t necessarily a new experience, but I wanted it to feel like even so, there were surprises.
The second half of Garden of Eden is ostensibly about a race. It’s more about how just the right things at the right time can lead to new friendships and a new life.
This is where Garden of Eden steps up a gear. I wanted this to be a story about people learning to do something with their lives, getting that buzz of energy and enthusiasm I feel when I commit myself to a project. Having something to work towards.
From this point on, the characters have something to aim for.