Anchored Tersets and You
Recently there was some heated discussion online about a “new poetic form”, the “anchored terset.” Described in the literary media as “radically condensed” and coined by Lisa Matthews as part of the Northern Poetry Library’s celebration of National Libraries Day, the form comprises three words and a full stop. It is argued that such a condensed form is democratic and suited to social media; anyone may find the time to write three words. This was at the core of criticism of the form, and while much of the vitriol can be discounted there are fruitful lines of critical enquiry concerning the form. Poetry can be described as compressing or abbreviating complex ideas in concise ways which are then unpicked by the reader. Compressing an idea into three words that evoke the right associations to paint a picture or provoke thought is immensely challenging: it may be easy to write three words but picking the three best words is not easy.
The Christmas Blog Series 2 (IV) – The Hyakunin Isshu and Medieval Verse
The pastime of karuta is a fascinating one; a kind of competition of literary knowledge mixed with a test of reactions, based upon recall and identification of poems from the 100 verses of the hyakunin isshu. It received significant visibility in pop culture – especially overseas, thanks to the growing popularity of international availability of animé – with the airing in 2011 of the series Chihayafuru, which focused on a young girl learning the apparently unpopular hobby. While the series, with its emphasis on presenting how welcoming and inclusive apparently forbidding niche activities can be, and on the importance of persevering with things regardless of how unpopular or difficult they may seem, works as good entertainment in its own right, it drove me towards the hyakunin isshu themselves.