It has been a long time since I watched any Captain Harlock media, but the recent announcement of Super Robot Wars T, featuring Harlock SSX: My Youth in Arcadia, drove me to give the series another go. I love its aesthetic, and it is iconic enough to be notably parodied in various things (perhaps most broadly by the latter half of Goldran featuring Walter disguised as a bad parody of Harlock piloting a giant robot shark), but I did not recall particularly gelling with the original series, dated as it is, when I first watched it.
Reading up on the upcoming Captain Harlock film, and thinking back over Giant Robo, an OVA I dearly love, drove me to try and write my own homage both to Leiji’s ostracised, misunderstood hero in a future beyond caring and Imagawa’s preoccupation with principles, expectation and duty set against science and scientific ethics. These are huge themes, the very substantial content that makes their respective series – the original Harlock, the excellent My Youth in Arcadia, and the similarly introspective Yamato 2199 on the one hand and the demolition of hubris that is Giant Robo on the other – so enduring.
Trying to write this made it clear I cannot match the narrative highs of either Robo or Yamato 2199. On the other hand, the imaginative impetus these inspirations give did I think create a story that serves as my response to pieces of popular culture that I rate very highly.
Note: The opening speech of this story is in equal parts derived from President John Kennedy’s speech at Rice Stadium in 1962 (used to great effect in Public Service Broadcasting‘s 2015 album The Race for Space), and Professor Vogler’s “Beautiful Night” speech from Giant Robo.